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TechnoratiBritish author Ian McEwan is quite convinced that people who believe that history will end with divine judgment are dangerous - probably very dangerous.
McEwan is among the most influential authors and literary figures of our day. His novels like Atonement and On Chesil Beach explore the moral landscape of the postmodern age. He is also an atheist who, by definition, does not believe that the Creator will bring history to an ending that will include perfect moral satisfaction. For that reason, his novels end without the hint or hope of such satisfaction.
Writing in The Guardian [London], McEwan set out his concerns about belief in an apocalypse in two essays. Rarely does eschatology receive such explicit consideration in a secular newspaper.
McEwan is concerned that, "Throughout recorded history people have mesmerized themselves with stories which predict the date and manner of our wholesale destruction, often rendered meaningful by ideas of divine punishment and ultimate redemption; the end of life on earth, the end or last days, end time, the apocalypse."
He is certainly correct in affirming that what Frank Kermode called the "sense of an ending" marks virtually all worldviews. This is necessarily so, because the questions of where history is headed and whether there will be a moral judgment are asked by every sensitive and intelligent human being.
As McEwan sees it, belief in divine judgment at the end of history is inherently dangerous. In his words:
The apocalyptic mind can be demonising - that is to say, there are other groups, other faiths, that it despises for worshipping false gods, and these believers of course will not be saved from the fires of hell. And the apocalyptic mind tends to be totalitarian - which is to say that these are intact, all-encompassing ideas founded in longing and supernatural belief, immune to evidence or its lack, and well-protected against the implications of fresh data. Consequently, moments of unintentional pathos, even comedy, arise - and perhaps something in our nature is revealed - as the future is constantly having to be rewritten, new anti-Christs, new Beasts, new Babylons, new Whores located, and the old appointments with doom and redemption quickly replaced by the next.
There can be no question that a preoccupation with eschatology as a hobby reveals an immature theology. There can also be no question that various groups and individuals have claimed a specific apocalyptic knowledge - setting dates, etc. - and it is true that some religions and ideologies have taken the route to violence.
But what Ian McEwan rejects goes beyond a lunatic fringe. He rejects the very heart of Christian eschatology. He aims directly at the book of Revelation:
The cast or contents of Revelation in its contemporary representations has all the colourful gaudiness of a children's computer fantasy game - earthquakes and fires, thundering horses and their riders, angels blasting away on trumpets, magic vials, Jezebel, a red dragon and other mythical beasts, and a scarlet woman. Another familiar aspect is the potency of numbers - seven each of seals, heads of beasts, candlesticks, stars, lamps, trumpets, angels and vials; then four riders, four beasts with seven heads, ten horns, ten crowns, four and twenty elders, twelve tribes with twelve thousand members ... and finally, most resonantly, spawning 19 centuries of dark tomfoolery, "Here is wisdom. Let him that hath understanding count the number of the beast; for it is the number of a man; and his number is six hundred, three score and six." To many minds, 666 bristles with significance. The internet is stuffed with tremulous speculation about supermarket barcodes, implanted chips, numerical codes for the names of world leaders. However, the oldest known record of this famous verse, from the Oxyrhynchus site, gives the number as 616, as does the Zurich Bible. I have the impression that any number would do. One senses in the arithmetic of prophecy the yearnings of a systematising mind, bereft of the experimental scientific underpinnings that were to give such human tendencies their rich expression many centuries later. Astrology gives a similar impression of numerical obsession operating within a senseless void. Continue »
