The thought of spending $12.50 on a movie frightens me. I am perfectly content watching my favorite latest series on Netflix. The thought of going to a movie theater no longer appeals to me as it did ten years ago. So what would compel me to visit the theater this time? I confess, I was intrigued. I have been following Kirk Cameron for some time now. Kirk's rise to stardom occurred in the late '80s with "Growing Pains." Since then, Cameron has come to Jesus and turned his career toward the Christian movie industry. His official entrance into the evangelical scene came in the 2000 movie, "Left Behind." In those days, Cameron had drunk deeply of Tim Lahaye's best sellers. The Left Behind series became a sensation. The 16-part novels emphasized the rapture, a popular evangelical doctrine of the end-times. The "Rapture" occurs when Jesus calls His Church home. The vision of falling airplanes, tightly folded clothes, and millions of people disappearing has become more than fiction; to many, it is Christianity in its purest form. And Cameron's movies became the face of it.
Fast forward several years. Cameron's involvement in broad apologetic and evangelistic work with Ray Comfort has given him some notoriety. He has spoken courageously on a host of moral issues and has received the type of media persecution expected from those who are antagonistic to the exclusivity of Jesus.
Cameron's personal journey led him to some interesting figures. His youthful appeal can be deceiving. Kirk has actually become a fine thinker. And the greatest proof of his ability to engage the world of the Bible intelligently is his latest movie entitled "Unstoppable." Originally presented to an audience of 10,000 people at Liberty University, Cameron explores the traditional question of theodicy: "If God is sovereign, why does He allow bad things to happen to good people?"
A Case for Christian Activism
The theme song summarizes the basic thrust of the movie. There is a time to speak and that time is now. Cameron's investigation provides an apologetic for Christian activism. The former "Growing Pains" star is now calling Christians everywhere to grow up. Speak for Christ. Defend Christ. The whole world has become a platform for the Christian vision.
This journey seeks to offer some answers to the broad questions of good and evil. Instead of entering into the philosophical arena, Kirk enters into the narrative of redemptive history. The drama of life is being enacted in this great stage. "Unstoppable" presents a narrative theology that is often unheard of in the evangelical pulpit. This narrative is both compelling and rich. It is a story that starts in the beginning.
Through very rich imagery, Cameron takes us through the formation of man. Man is created with authority and that is most clearly seen in his ability to name animals. In doing so, Adam mimics His Creator. God gives man a mission to heaven-ize earth. The heaven-ification project began in the Garden. Adam then is put to sleep and, from his side, God forms woman, who is flesh of his flesh and bone of his bone. This beautiful, poetic, creative act, now puts man and woman at the center of God's great plans for history.
Man was to have dominion over all things. And the first great test they faced came in the form of a beast. Adam should have smelt it a mile away. He should have crushed it. But the compelling drama goes from the safety of the garden into the danger of the forbidden fruit. Adam's sin plunges humanity into chaos. But in the middle of this cosmic betrayal, God does not betray His creation. He makes a promise (Gen. 3:15). Even after Adam and Eve leave the garden He continues to provide for them.
But the narrative continues in bloody fashion. Humanity experiences its first death: the death of a son, the death of a brother. God then places on Cain the first true mark of the beast.
At this point, Kirk Cameron explores the persuasiveness of this narrative. This is a narrative, he argues, that would not sell. In Genesis, the Creator of the world destroys His own creation when He sent a great deluge to drown humanity in their sin. Why would the Protagonist do this? It is here when Cameron shines in his narration. He argues that God packs the whole world in a wooden box and then re-opens the box (the ark) to a new and better world. The new world is born through tragedy. The story is persuasive because it does not hide the consequences of sin.
The Theology of Unstoppable
"Unstoppable" is a short commentary on Genesis, which is consequently a commentary on the whole Bible. The great rainbow (bow) serves as an instrument of war. God took that instrument and directed it to His only begotten Son at the cross. At the cross, Christ was brutally murdered by His own creation. But it is precisely at the cross, argues Cameron, that "Jesus flips death on its head by dying for His enemies." After death came life. Life burst from the grave. In fact, every graveyard is a garden. And one day, "each seed will burst into a new world."
It is in this resurrection theme that Cameron transforms the question of evil into a case for the God who redeems humanity and will bring humanity from the dust of the earth into a new creation. Cameron takes the death of his young friend and uses it as an example for how grieving is not the end of the story. God's purposes are unstoppable.
This is not your typical Bible storytelling. Cameron weaved into his narrative a robust view of creation. Creation is not something to be despised or rejected. Creation was not left behind by its God. Creation is being redeemed by its Maker. Redeemed humanity united to the Final Adam, Jesus Christ, is now commissioned to disciple the nations and make the glory of God known.
Evangelicals will be deeply shocked by its overwhelming optimism. Cameron does not end in lament, but in triumph. The Christian vision is not an escapist one. It is a mission grounded in resurrection joy. And because of this, evil does not have the final word. God cannot be stopped. His purposes will be accomplished in history. His glory will be known from sea to sea.